It is worth noting that the stars of show business lead a rather open lifestyle, or even if they try to hide, the paparazzi will still find out the truth. Therefore, which musicians like to gamble has long been known. 10 years ago, show business stars mostly played in land-based gambling establishments, but now many people prefer sites online casinos portugal , as it is more convenient, and they can also play their favorite games incognito. If we talk about land-based gambling establishments, then actors and singers visit the best casinos.

Gambling is a very good way to relax, so people with difficult professions choose casinos as a way to relax. Musicians often go on tours and perform at concerts in other countries, so it is not surprising that many decide to visit land-based gambling establishments. However, offline gambling is prohibited in some countries, so you have to use online casino sites to play, as there is no other choice.

Which musician loves to gamble: Harry Styles

28-year-old English singer, songwriter and actor Harry Styles is on the list of those musicians who love gambling. The former member of boy band One Direction has been interested in casinos since childhood. Then he liked the atmosphere itself, so he dreamed that when he grew up, he would definitely visit a land-based gambling establishment. True, at the age of 18, Styles was not allowed to visit a land-based gambling establishment, since entry is allowed from 21 years old.

Thus, when he turned 21, he managed to realize his dream. However, the refusal still left an unpleasant memory for the musician. Therefore, now Styles plays for the most part on online casino sites. At the same time, his favorite game is blackjack , which is present on online gambling sites both in online and live versions. Interestingly, as Harry Styles himself says, he does not use strategies, since gambling is not a way for him to earn money.

Interestingly, Harry Styles fans, girls in particular, also want to try their luck at their idol’s favorite gambling game. Some even want to catch Styles in live mode in an online casino to watch how he plays. It is worth noting that many popular players change their names on casino sites in order to remain incognito. Basically, this method works in poker, but in other gambling games, the stars try not to draw attention to themselves.

Which musician likes to gamble: Frank Sinatra

If you think about which of the musicians loved gambling in the 20th century, then the American singer, film actor, film director, producer, showman, conductor, political activist Frank Sinatra, who very often visited gambling establishments, comes to mind. The legendary personality was able to create a strong connection between music and gambling. The artist had 150 million records on his account. Frank Sinatra passed away in ’98, and people lost a legendary singer, and Las Vegas establishments lost a regular and generous guest.

During his lifetime, Frank Sinatra could play American roulette for hours or even a whole day. Of course, the legendary singer played mostly for fun. Nevertheless, according to rumors, he won quite a lot, as he tried to guess the number, and this bet in the American version is estimated at a quote of 1 to 37, which allows you to recoup very quickly even with a very long series of failures.

According to some rumors, due to the fact that Frank Sinatra visited Las Vegas in the 20th century , gambling establishments in this city became more popular. The popularity of almost any service or product can be increased with the help of stars, because if the idol of millions prefers to play, for example, in a certain casino, then the fans repeat after him, because they understand that a world-class star cannot play in unreliable gambling establishments.

Which musician loves gambling: Nelly Furtado

Nelly Furtado is a two-time Grammy Award winner. However, few people know that she also has accomplishments in gambling. This Canadian singer, songwriter, music producer and actress is a very good poker player who often takes part in poker tournaments. The hardest card gambling in the casino attracts many media people. At the same time, some even manage to win quite big jackpots, sometimes even in an evening they earn more in poker than with the help of their profession.

Poker attracts a lot of people. However, in order to win big, especially in a live game, you need to fully control your emotions and try to deceive your opponents. Interestingly, according to statistics, actors and show business people are better at bluffing. In particular, beautiful girls often use their charms to distract opponents. In poker, players need to be focused on the game. If the players are distracted, they may not recognize the bluff or correctly assess the chances of success.

It is worth noting for those who are wondering what musicians love to gamble that Nelly Furtado’s best year in poker was 2007. She then participated in the World Series of Poker , where she achieved great success As the singer says, if a person is talented, then he is talented in everything. Nevertheless, for Furtado, poker is a serious, but still a hobby. Now the singer plays much less often, mainly on online casino sites. In her opinion, this card game also influenced her success, as poker improves many skills. To see popular types of poker and new casinos you can go to new casinos in portugal.

Which musician loves gambling: Justin Bieber

Considering the question of which musicians like to gamble, it is worth noting that Canadian The singer Justin Bieber, who also a songwriter and actor, achieved success at an early age. Initially, he tried his hand at poker. In particular, Bieber is often seen in gambling establishments in Texas and London. According to Bieber, he does not have gambling addiction , but gambling is a way for him to quickly relax between concerts, so he plays every time after any event.

Justin Bieber prefers land-based gambling establishments as he loves offline poker. Nevertheless, he does not bypass online casino sites, and when he does not have enough time to take part in poker tournaments, he plays simpler games. Like many stars, Bieber prefers to play bingo , because this game of chance practically does not require any skills and even actions, since the player only needs to choose a ticket and that’s it.

Interestingly, so far there is no evidence that he won big jackpots. However, nothing is known about the fact that he lost a lot of money. It is worth noting that Bieber’s fans are trying to find places where he plays in order to play gambling entertainment with their idol. True, this is quite difficult, since there are a lot of online gambling sites now, for example, bingo lovers can spend time in Unibet Bingo . Complicating the search is the fact that it is very difficult to find out under which nickname Bieber registered.

Which musician loves gambling: Lady Gaga

It should be noted for users of online gambling sites in Portugalwho raise a questionwhich of the musicians loves gambling that the popular singer Lady Gaga often plays in the casino. The Italian-born American star is a singer, songwriter, producer, philanthropist, designer, and actress. One of the most memorable and even viral songs of the performer was “Poker Face”. It is interesting that it so happened that the singer’s favorite gambling game is this particular card game.

Oddly enough, Lady Gaga’s poker face knows how to hold and uses bluffs very well. True, she did not achieve very great success in poker. Basically she likes to play with her friends. Of course, the main thing for the singer is the process itself, and not the financial component. According to rumors, Lady Gaga sometimes plays on online casino sites.

Let’s note for those who are wondering which of the musicians love gambling, that for Lady Gaga, as well as for other stars, gambling is just a hobby and a way to relax. As practice shows, only a few famous people achieve great success. Interestingly, according to statistics , athletes play a little better than musicians or actors. However, gambling addiction is detected more often in sportsmen than in singers and actors.

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This time I decided not to include “Eurovision hits” in the article. Portugal is one of those countries whose representatives often sing in their native language, but even the “golden” ballad of Salvador Sobral, which brought the country the only victory in history, was not a hit song in its essence. In terms of “hit production” in the Portuguese-speaking world, Brazil is quite naturally in the lead, so most of the hits will be from this Latin American country.

Tico Tico no fuba

“Tico Tico no fuba”, aka “Tico Tico de falero” or simply “Tico Tico” is a legendary Brazilian composition, the oldest in this collection. The melody is the same age as the Russian revolution. Composer Zequinha de Abrera wrote it in 1917 and gave it its first original title “Tico Tico de falero”. Tiko in Portuguese is a small yellow-breasted bird, a type of sparrow. The literal translation of the author’s title “Sparrow in bran”, since 1931, the name “Tico Tico no fuba” has been attached to the work, that is, the bran was noticed on “corn flour”, as the word “fuba” is translated.

At first it was just a melody, it was performed and continues to be performed in an instrumental version.

Following the new name, the melody also acquired words. The canonical text was written by Alonsio de Oliveira. In 1942, the work was performed by the Brazilian singer Ademilde Fonseca – she owns the first and classic performance of this song.

“Tico Tico no fuba” was sung by various singers and singers, both in Brazil and abroad. For example, Brazilian pop singer Nei Matogrosso presented his version.

As part of the competition program of one of the seasons of the Russian version of the Voice show, the famous singer and teacher Eteri Beriashvili chose the Brazilian hit for her performance.

Marcha de los Pescadores

The Generals of the Sandpits” is a 1971 film made by the Americans based on the novel by a Brazilian and very much loved by the Soviet public. With “Captains of the Sand” by Jorge Amado and its film adaptation, our man is inextricably associated with the song, in the most famous version beginning with the words: “I began to live in the slums of the city.” Different generations remember her performed by the Accord ensemble and the Accident group. Other versions of the text in Russian were also written to the popular melody.

In the picture, this song sounded in the original – in Portuguese. Its author is the classic of Brazilian music Dorival Caimmi.

The composer spent his childhood years in Bahia, where the action of “Captains of the Sand” is just unfolding. Moreover, the musician was friends with the author of the book’s primary source – the writer Jorge Amado. He did not create the song specifically for the film, it was written back in 1965. The fact that it was his song in the author’s performance that designed the film is more than a logical decision. The content of the song also refers to childhood experiences in Bailly. This is a coastal area – a fishing area. About people engaged in fishing, and narrates the original Portuguese text. The composition bears the corresponding name: Marca dos los Pescadores in translation means “the fisherman’s march”.

Dorival Caymmi – Retirantes

Dorival Caimmi is marked in my selection with two compositions. The second also gained fame thanks to the movie. But this time this movie was filmed in Brazil itself. The TV viewers of the late Soviet era heard the song “Retirantes” at least 30 times – exactly so many episodes in the “international version” of the legendary Brazilian melodrama “Slave Izaura”. It was a pioneering series that laid the foundation for the fashion for “Latin American soap” on domestic television, and for “tear-squeezing” serial opuses in general. It was shown in our country for the first time in 1988, and in the homeland the 100-episode original version was released in 1976. The series was shown not only in the USSR, and the composition “Retirantes” was remembered by many. The name is translated as “The Song of Settlers” or “Emigrants”.

About the origin of this song, the data in Russian-language sources differ. I will present both versions. Somewhere it is indicated that it was written specifically for the series, but there is also a more interesting story that dates the birth of the song as far back as 1946. According to this version, it is the fruit of a collaboration between fellow classics of Brazilian popular music and literature, Dorvel Caimmi and Jorge Amado, and appeared in the course of joint work on a play based on the novel Endless Lands. And then she was included in the series.

Caimmi lived a long life – 94 years. His creative path began back in the 1930s, and the singer-songwriter died already in the new century, in 2008, in Rio de Janeiro. Therefore, purely theoretically it could be so, and so. It can be assumed that an already existing song was reworked for the series. This happens quite often.

Kaoma – “Lambada”

Perhaps, if you conduct a survey about which song in Portuguese is the most famous, then with a high degree of probability a significant part of the audience will remember exactly “Lambada”. The composition, sung by a Brazilian, began its triumphal procession from Paris, where the Kaoma group was creative. The soloist of the band, Loalva Braz, moved from Rio to France in 1985 and joined the band. The legendary hit was born in 1988, and in the summer of the following year, the melody became a worldwide hit and made popular the Brazilian dance of the same name, rooted in Indian culture. Lambada was danced to the popular melody in various parts of the world, trying to copy the movements of the clip. And now the dance is strongly associated with this particular composition.

The Soviet Union was overwhelmed by “lambadomania”. In our country, even a popular cartoon character performed the dance. A hare danced to the music of the Kaoma group in one of the episodes of the popular animated series Nu You Wait.

The world fame that came to the Kaoma group after Lambada turned out to be smacked of scandal. It turned out that “Lambada” is a cover of a Latin American song of the same time. The original was born a year earlier in Bolivia, a song called “Llorando se fué” performed by the group “Los Kjarkas”. The Franco-Brazilian team was accused of plagiarism. A lawsuit followed, as a result of which the group “got on the money”, but this did not diminish the popularity of the song, and Loalva Braz, along with the group, continued to perform it.

The life of the singer, whose voice gave the world “Lambada” ended tragically. She was killed in 2017 in Rio de Janeiro at the age of 63.

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Population: 317,098,309
GDP per capita: $49,965

In terms of consumption and production, North America remains the world’s largest music market. However, with the shift to digital media and online communications, the opportunities for international artists and industry professionals to take export-ready entertainment to US audiences have greatly increased.

The US recorded market remains in a period of transition. According to IFPI figures, overall recorded sales grew by 2.1% in 2014 – with a decline in physical and digital track/album units being partially offset by consumer uptake for streaming services. Around 50% of North Americans are using paid and unpaid streaming services, while digital accounts for 71% of the recorded music market.

Along with the introduction of Spotify in 2011 and the rise of other subscription and advertiser supported services – such as Pandora, Rhapsody, iTunes Radio, YouTube, Beats Music, Google Play, Rdio, Muve Music and Slacker – international artists are finding new audiences in the US without necessarily leaving their home territories. In 2014, subscription income grew by 33.5% and ad-supported streaming by 21.4%. However, download revenue dropped by 7.2% /but still accounts for 55% of the US digital market.

2. Record Labels, Licensing & Distribution

Befitting its status as market leader, the US is home to headquarters of the three major record labels – based around the East Coast/West Coast axis of New York and Los Angeles, with all acting as umbrella to a host of individual and iconic imprints.

Universal Music and Sony Music dominate the market share of the domestic market (accounting for more than 50% of sales), however the independent sector remains healthy and responsible collectively for 34.6% of all recorded sales. The trade body for the independent sector is A2IM.

3. Publishing

The US publishing industry dominates the world- with New York and Los Angeles (alongside Nashville) as its epicentre and the collecting societies ASCAP and BMI each reporting revenues of over $900 million in 2012.

The sector is represented by two main trade bodies:

National Music Publishers’ Association

Music Publishers Association of the United States

4. Performance Rights

The US sustains three collecting societies for the performance royalties of composers, authors and publishers. The largest of these are the performer-owned ASCAP – which represents more than 460,000 rights holders – and the broadcaster-owned  BMI. The third and smallest society – SESAC – was initially established to support underrepresented European stage authors and composers.

All mechanical rights are issued by The Harry Fox Agency.

The other key collective rights management organisation is SoundExchange – founded in 2003 to collect royalties on behalf of record labels and artists for non-interactive digital transmissions (including satellite and internet radio).

5. Management

The US is home to a significant number of music managers who are represented by their trade organisation the MMF-US.

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The future of music will most likely follow the same trends we are seeing in modern technology.  It will be incredibly social similar to social media, it will become increasingly computer-based and A.I. driven, and lastly, it will serve as a window to the past, held open by any musicians continuing to create music in more traditional ways.

Let’s examine 3 different possibilities for the future of music.  Keep in mind that these are of course speculative and in no way absolute.

What might be helpful first, is to briefly take a look at what music is, the intention behind music, and how it relates to technology. 

The Beginning of Art and Where it’s Going

The first known painting dates back roughly 40,000 years.  It marked the first time we saw our world and wished to interpret it, and then represent it in a new way.

Art has followed that same method ever since.  It has always been a way to take our surroundings, and create something that aligned with our perspective. 

It truly doesn’t matter what medium, be it painting, sculpting, dancing, photography, film – the intention is the same.

We take our immediate sensation of the world, internalize it, and then manifest it into something new and uniquely human.

What changes during this process is the technology with which we create art, and the way we interpret our surroundings.

As the technology changes, and as we use past art and creations to interpret our world, the art changes and takes new and exciting forms.

How does this relate to music?

Music, being an art form, and sharing that same intention, follows this pattern.  Although its purpose or intention remains the same, how it presents itself changes.

For example, imagine trying to create Queen’s operatic masterpiece Bohemian Rhapsody on a phonograph.  Would it have been possible? Definitely not.  The technology could not have supported what was needed to create it. 

Furthermore, could Freddie Mercury have written it without being previously exposed to and inspired by opera? In truth, no he couldn’t have. 

With that said, how we express ourselves through art, and the art we create is entirely and irrevocably tangled in both the current state of available technology and past art.

All this to say, that music will almost certainly follow the path of emerging technology and build upon the cultural identities it and other art forms have previously created.

This leads us to the question, what current technology is shaping how we create music?

Music for the Sake of Social Media and Online Communication

Over the past two decades, there has been a shift in how we communicate.  Messages that once took personal interaction to convey, can now be made almost instantly, and across almost any distance.

We are the first generation that can communicate anytime, anywhere, without the restraint associated with an immobile communicative device.

For artists, this means that people no longer need to pack into a gallery to see your work.  Or huddle around a radio to listen to your music. They can listen anywhere, and anytime, with devices that are becoming increasingly intertwined with their daily lives.

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The environment for artists is evolving daily.

Let us look at what the music industry looks like in 2023, and how an independent musician stays competitive with the changing trends.

TikTok will take over the digital world

In September 2021, the platform boasted a staggering 1 billion active users, and its expansion is still going strong.

TikTok offers a big chance for social media explosion and virality for musicians. As a result, it has ranked among the most powerful digital licensable music promotion platforms in 2022 and will continue to boom in 2023.

The previous few years have seen a modest shift in consumption patterns. It’s already here, and the only way to satisfy this rising demand for your music is to learn how to create short-form TikTok-style material.

Multilingual tracks will become a hit

BTS consistently ranks among the top five artists on Viberate’s lists of most famous artists. BTS is ranked second on SoundCloud, where mostleading artists are American rappers like Polo G. Evidence that in the era of global streaming, you don’t need to sing in English to succeed big!

Although K-Pop music is rarely broadcast on the radio, it dominates streaming services. Artists must first get past the “gatekeepers” who control what is heard on the radio to be played. K-Pop fans can choose from millions of tracks available on streaming services where artists can upload their music independently via a free distributor like RouteNote.

Sync Deals & Publishing

More people are using social media. If there is one thing we know for sure about the music business going into 2023, it’s that music needs to be associated with something to be popular and profitable.

Television, Netflix, video games, advertisements, and much more are among the best platforms. However, the best way to connect your music to these platforms is to make licensable music. Learn about music publishing and how to link your music to various forms of media to increase its exposure.

Genres will continue blending

As you can see from our choices of artists to watch in 2023, an artist’s genre inspirations frequently overlap. It allows producers and musicians to create music without being constrained by a particular genre.

Does genre still matter? According to Viberate, mood-based listening is becoming more popular than sticking to a particular genre. When streaming during a study session, a listener is likelier to select a calming study playlist than a particular genre, like electronic music. By carefully choosing which playlists to route their music to, artists can obtain significant levels of streams.

Live Concerts Become Greater

Live music is currently in flux as it works to recover. As we enter 2022, even more performances are being postponed, along with significant tours. Fans who yearn to experience the rush of live music have waited too long to see their favorite acts perform.

Keeping everything crossed, 2023 should rank among the most significant years for live performances as people long for the live music scene to resume its rapid growth.

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